Sculpture (Sculpture)

Taking archaeology as her departure point to examine the trajectories of replicated and displaced objects, “Who will measure the space, who will tell me the time?” was produced in Oaxaca for her exhibition of the same title at the Contemporary Museum of Oaxaca (MACO) in 2015. The sculpture, employing the technique of traditional Atzompa pottery originating from Oaxaca, Mexico, is an examination of the way in which archaeological heritage is remembered in the earthenware made by Atzompa potters today. Accompanied by the publication ‘Ixiptla Vol.

Drawing & Print (Drawing & Print)

Shanghai Biennale, Awaiting Your Arrival is an appropriation of the posters made to promote biennial art exhibitions. Displayed alongside the marketing posters of official biennials (Shanghai, Berlin, Venice, etc.) Displayed alongside the official marketing materials of biennials (Shanghai, Berlin, Venice, etc.)

Installation (Installation)

Mariana Castillo Deball’s set of kill hole plates are part of a larger body of work problematizing archeological narratives, and drawing attention to the conservation process and its role in recreating an imagined object. They are playful and exaggerated representations of “kill hole pottery” — ceramic dishes in the Mimbres tradition with distinct circular holes located in the center of the pots. Although very little is known about the Mimbres culture’s specific beliefs, they are loosely understood to have terminated the object symbolically in preparation for funerary use.

Drawing & Print (Drawing & Print)

Biennale, Dog is an appropriation of the posters made to promote biennial art exhibitions. Displayed alongside the official marketing materials of biennials (Shanghai, Berlin, Venice, etc.) Xu’s works provide a satiric and provocative alternative to the official system and make publicly visible images of many realities.

Sculpture (Sculpture)

Do ut des (2009) is part of an ongoing series of books that Castillo Deball has altered with perforations, starting from the front page and working inward, forming symmetrical patterns when each spread is opened. The books belong to O Mundo dos Museus (The World of Museums), a collection conceived by the Brazilian designer Eugênio Hirsch in the 1970s. More than simply a catalogue of artworks, each offers the reader a promenade through a different world museum and its functioning, starting with photo reportage of the building, its urban landscape and architecture, the management and restoration of works, and visitors walking though the galleries.

Film & Video (Film & Video)

Reflection Paper No. 2 is one of four videos in which Wang attempts to accurately illustrate the writings of influential Chinese Eileen Chang, who published her works during the Japanese occupation of China. Image and text reflect on the everyday experiences of women in society, family, marriage, love, and death.

Film & Video (Film & Video)

Rond de Jambe by Aimée Zito Lema is a series formed by two works: a three-channel video installation and a live performance. Each component in this project approaches the same subject matter through a different medium in order to investigate politics as they are made manifest in and through the body. Using archival footage of protests of the Stopera building project in Amsterdam as a starting point, artist Aimée Zito Lema worked with dancers to translate the protest movements into a choreography.

Installation (Installation)

The work is a speech composed of excerpts from autobiographies of well-known political characters. From each book an excerpts that describes a childhood event and one that describes a political event or statement was selected. The former, in most cases, functions as an alibi or explanation of the latter.

Drawing & Print (Drawing & Print)

Free Categories #14

Drawing & Print (Drawing & Print)

Sung Hwan Kim created the drawing push against the air 01 during a rehearsal for his eponymous 2007 performance at De Apple (as part of Prix de Rome), Amsterdam, and Project Arts Centre, Dublin. For the performance, Kim interviews his frequent collaborator David Michael DiGregorio and a fellow musician, Byungjun Kwon, about love songs they have composed. The performance appears spontaneous and creates a space of vulnerability and intimacy, however in reality, the three rehearsed the performance numerous times and performed it in numerous cities.

Installation (Installation)

Spring Line is a piece shown for the first time in his solo exhibition at the Institut d’Art Contemporain in Villeurbanne in 2007. It pays homage to the work of the famous conceptual artist Sol LeWitt, who had died on 8 April that year. Scanlan aims to guide the spectator to gage the level of influence Sol LeWitt has had on his work with regards the conversion of potential ideas into sculpture.

Drawing & Print (Drawing & Print)

This untitled drawing was part of Sung Hwan Kim’s solo exhibition Sung Hwan Kim: A Still Window From Two or More Places , which took place in tranzitdisplay in Prague, Czech Republic in 2010. tranzit.cz is part of a network working independently in Austria, the Czech Republic, Hungary, Slovak Republic, and Romania since 2002. Such doodle-like drawings are often crucial components of Kim’s performances. The imagery of faces, heads, snakes, and serpentine paths are recurring motifs in the artist’s drawing practice.

Installation (Installation)

In Felicitas, we follow the converging routes of three characters: Felicitas, Michael and Andrew (the artist’s father-in-law who also features elsewhere). Felicitas is thedaughter of a German industrialist who immigrated to Rio after the Second World War. She is the one visible with a toucan in several images.

Film & Video (Film & Video)

An early work in Sung Hwang Kim’s career, the video Summer Days in Keijo—written in 1937 is a fictional documentary, the film is based on a non-fiction travelogue, In Korean Wilds and Villages , written by Swedish zoologist Sten Bergman, who lived in Korea from 1935 to 1937. In Kim’s film, a Dutch female protagonist traces Bergman’s path in the present-day Seoul (Keijo was the Japanese name for Gyeongseong, currently Seoul). The protagonist navigates through spaces that have been rebuilt since the 1950s onwards, and the scenes are narrated by a voice-over based on Bergman’s written description of the modern city in 1937.

Painting (Painting)

Madani works on a small scale and a large scale. This work is from a series of small paintings called Dazzle Men that take as their starting point the Dazzle patterns used by artists to camouflage ships during the First World War. Dazzle camouflage was designed to confuse the aim of U boat commanders.

Drawing & Print (Drawing & Print)

This untitled drawing was part of Sung Hwan Kim’s solo exhibition Sung Hwan Kim: A Still Window From Two or More Places , which took place in tranzitdisplay in Prague, Czech Republic in 2010. tranzit.cz is part of a network working independently in Austria, the Czech Republic, Hungary, Slovak Republic, and Romania since 2002. Such doodle-like drawings are often crucial components of Kim’s performances. The imagery of faces, heads, snakes, and serpentine paths are recurring motifs in the artist’s drawing practice.

Painting (Painting)

Mojtaba was painted in 2015 as a part of the Bedroom Posters series. Bedroom Posters feature the same beautiful boys who could well be out of a set of fashion editorials. Mojtaba, Manuel, Titus, and a boy found on Tumblr are on the verge of becoming men, yet are narcissistic adolescents prone to fall into the trap of ideological extremes.

Drawing & Print (Drawing & Print)

Hama Goro works with a traditional method called the Bogolan technique, which is inspired by a method used in Mali to color clothes. The ingredients of the various colors originate from natural products such as clay, leaves and bark. The colors had a symbolic significance and were used during ritual ceremonies.